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- George Hamilton Green's Collection of Standard Solos for Xylophone - Folio One for Two Hammers
George Hamilton Green's Collection of Standard Solos for Xylophone - Folio One for Two Hammers
This distinguished collection represents George Hamilton Green's masterful arrangements of classical repertoire specifically adapted for xylophone performance. As part of the "Folio One" series, this volume focuses exclusively on two-mallet technique, making sophisticated classical literature accessible to xylophone players of the early 20th century.
The collection features carefully selected classical masterworks arranged for xylophone, including:
- Bolero - Moszkowski
- Polonaise Militaire - Chopin
- Norwegian Dance No. 2 - Grieg
- La Czarine - Ganne
- Chanson Sans Paroles - Tchaikovsky
- Additional five classical selections
Green's arrangements demonstrate his exceptional understanding of both classical repertoire and xylophone technique. Each piece is thoughtfully adapted to showcase the instrument's capabilities while maintaining the musical integrity of the original compositions. The two-mallet approach makes these works accessible to students developing fundamental mallet technique.
This collection represents an important bridge between classical music tradition and the emerging American xylophone repertoire of the 1920s. Green's arrangements helped establish the xylophone as a legitimate classical instrument capable of performing sophisticated musical literature, moving beyond its popular music associations.
These arrangements remain valuable repertoire for contemporary xylophonists, offering classical literature specifically crafted for the instrument by one of its greatest historical practitioners. The two-mallet focus makes these pieces excellent for developing fundamental technique while exploring sophisticated musical material.
This collection is part of Green's larger body of xylophone arrangements and compositions, complementing his ragtime works, instructional methods, and other classical adaptations. It demonstrates the breadth of Green's musical interests and his commitment to expanding the xylophone's repertoire beyond popular music.