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  • Gordon Cleather The Timpani

Gordon Cleather The Timpani

SKU: VAP 3220
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G. Gordon Cleather presented two lectures to the Royal College of Organists in 1908 which are now titled "The Timpani". The titles are "The Timpani: With Special Reference to Their Use with the Organ”, along with “Music in Rhythm-As Exemplified by the Timpani”. This package contains both lectures.


These two lectures serve as "little time machines into the performance practices of timpanists at the turn of the 20th Century." Cleather stated at the outset that his topics would include the "rhythmical [sic.] side of the instrument, the artistic side, the construction, and the need to establish a recognized school and standard of Timpani-playing". "Music in Rhythm…" and was delivered from "a player's standpoint" rather than from a purely scientific or historical perspective.


The personal stories shared with his audience make these lectures come alive as valuable insights into early 20th-century timpani performance practices. For example, Cleather relates a "timpani lesson" involving George Smart and Haydn during the famous "drumming" incident, describing how "The early practice was to hit the drum near the center of the skin" but "Haydn demonstrated the proper method of hitting the skin closer to the rim to George Smart during a concert Haydn conducted at Hanover Square in 1794."


These two lectures are considered important historical documents that capture timpani performance practices and pedagogical thinking from the early 1900s. They represent an attempt to systematize and standardize timpani instruction at a time when the instrument was still developing its modern identity in the orchestra.


The work is particularly valuable for understanding the transition period in timpani playing technique and the evolving standards of performance practice during the early 20th century.

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  • HOME
    • View Our Catalog
  • Our Catalog
  • Video Courses
    • Video Courses Overview
    • Percussion History & Literature >
      • Percussion History & Literature Introduction
      • Percussion History and Literature Modules Member Page >
        • Module ONE ESSENTIALS
        • Module TWO INSTRUMENT HISTORIES
        • Module THREE ORCHESTRAL LITERATURE
        • Module FOUR CHAMBER LITERATURE
        • Module FIVE PERCUSSION ENSEMBLE LITERATURE
        • Module SIX SOLO LITERATURE
      • Purchase University Course License
      • Purchase For-Credit Student License
      • Purchase Non-Credit License
    • Marimba and Xylophone History with David Harvey >
      • Marimba & Xylophone History Introduction
      • Marimba and Xylophone History Member Page
    • History and Development of the Drumset >
      • History and Development of the Drumset Introduction
      • History and Development of the Drumset Member Page
    • THE REPERTOIRE >
      • THE REPERTOIRE Introduction
      • THE REPERTOIRE Member Page
  • AUDIO
    • All Audio
  • PRINT
    • The VAP Digital Bookshelf Overview
    • The Digital Bookshelf - RESEARCH
    • The Digital Bookshelf - KEYBOARDS
    • The Digital Bookshelf - TIMPANI
    • The Digital Bookshelf - DRUMMING
    • The Digital Bookshelf - Drum Book History by Alain Charmoille
    • The William Zickos Collection
  • TOUCH
    • TOUCH Information Page
    • TOUCH Member Page
  • Contact